Marie Antoinette - The Journey

Marie Antoinette - The Journey
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By Antonia Fraser
Published by Weidenfeld & Nicholson, 2001
Hardback with dustwrapper, in great condition, 488 pages

Never before has the life of Marie Antoinette been told so intimately and with such authority as in Antonia Fraser’s newest work, Marie Antoinette: The Journey. Famously known as the eighteenth-century French queen whose excesses have become legend, Marie Antoinette was blamed for instigating the French Revolution. But the story of her journey begun as a fourteen-year-old sent from Vienna to marry the future Louis XVI to her courageous defense before she was sent to the guillotine reveals a woman of greater complexity and character than we have previously understood. We stand beside Marie Antoinette and witness the drama of her life as she becomes a scapegoat of the Ancien Regime when her faults were minor in comparison to the punishments inflicted on her.


The youngest daughter, fifteenth out of sixteen children, of Austrian empress Maria Teresa and Francis I, Marie Antoinette was sent on a literal journey by her mother from Vienna to Versailles with the expectation that she would further Austrian interests at all times. Yet, Marie Antoinette was by nature far from interested in state affairs and much more inclined to exert a gracious, philanthropic role, patronizing the arts especially music, as royalty would come to behave in the nineteenth century. Despite this the French accused her of political interference and wrote scandalous tracts against her, mocking her lack of sophistication. Meanwhile, longing for a family and the birth of an heir who would have cemented the Franco-Austro alliance, the French queen had to endure more than eight years of public humiliation for her barren marriage before the delivery of her first of four children.

As these problems unfold, Antonia Fraser also weaves a richly detailed account of Marie Antoinette’s other, more poignant journey: from the ill-educated and unprepared girl who sought refuge in pleasure as a consolation into a magnificent, courageous woman who defied her enemies at her trial with consummate intelligence, arousing the admiration of even the most hostile revolutionaries.

Brilliantly written
Marie Antoinetteis a work of impeccable scholarship. Drawing on a wealth of family letters and other archival materials, Antonia Fraser successfully avoids the hagiography of some the French queen’s admirers and the misogyny of many of her critics. The result is an utterly riveting and intensely moving book by one of our finest biographers.

REVIEW from Publishers Weekly;

A child-princess is married off to a husband of limited carnal appetite. Her indiscretions and na‹vet‚, scorned by elderly dowagers, are coupled with charity, joie de vivre and almost divine glamour but her life is cut brutally short. The queen of France's life is rich in emotional resonance, riddled with sexual subplots and personal tragedies, and provides fertile ground for biographers. Fraser's sizable new portrait avoids the saccharine romance of Evelyne Lever's recent Marie Antoinette, balancing empathy for the pleasure-loving queen with an awareness of the inequalities that fed revolution after all, Marie herself was fully conscious of them. Her subject shows no let-them-eat cake arrogance, but is deeply (even surprisingly) compassionate, with a "public reputation for sweetness and mercy" that is only later sullied by vituperative pamphleteers and bitter unrest. She would sometimes be trapped by ingenuousness, and later by a fatal sense of duty. Yet her graceful bearing, acquired under the tutelage of her demanding mother, the empress Maria Teresa, made her an unusually popular princess before she was scapegoated as "Madame Deficit" and much, much worse. The portrait is drawn delicately, with pleasant touches of humor (a long-awaited baby is conceived around the time of Benjamin Franklin's visit: "Perhaps the King found this first contact with the virile New World inspirational"). Fraser's approach is controlled and thoughtful, avoiding the extravagance of Alison Weir's royal biographies. Her queen is neither heroine nor villain, but a young wife and mother who, in her journey into maturity, finds herself caught in a deadly vise.